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Review by n00b100
The second set kicks off with Bowie (I wouldn't mind them giving Bowie the 2nd set opener slot and taking it for a ride again), which has a particularly elongated intro and stays in usual Bowie territory for a good spell (with the occasional spacey excursion) before launching into an uplifting major-key groove, Trey alternating between warm Weekapaug-esque chords and elfish soloing with Page (again!) doing some lovely work on the keys and Fish playing a nicely busy beat. The band works their way back in Bowie's usual jam space, and like a particularly charming phoenix rising from Bowie's ashes Possum works its way out of the jam in a great segue. Possum is its usual fiery self (boy, imagine the outcry if Possum showed up in this spot in a Set 2 today), and the jam that they launch into right afterwards is nearly as powerful as the first set Drowned, very close to the legendary Tube Jam from the Dayton show (even more wicked clavinet work from Page here). This nasty jam slows to a crawl, gets dark and spacey...and then Trey starts up Caspian, something of a buzzkill (some things never change, I guess), and Frankenstein and a sweet Hood close out another fine set.
Final thoughts: I'd still take last night's show (that second set is an out and out masterpiece), but wouldn't blame you at all if you preferred this one. The Bowie's major-key segment is truly great, and both the post-Possum Jam and Drowned are red-hot funk jams that demand hearing.
Oh yeah, I hope @MDosque has heard the Drowned since the night of the show. Rough time to take a bathroom break, my friend.