|1994-10-28||Bowie||Charleston, SC||12:23||Insane, riveting version with a "Bowie" -> "Manteca" -> "Bowie" in the jam segment.|
|1994-10-28||Manteca||Charleston, SC||0:40||-> in from "DB." Brief "Manteca" jam in the midst of a thrilling "Bowie." -> back to "DB."|
|1994-10-28||Bowie||Charleston, SC||3:11||-> in from "Manteca." Return to "Bowie" to conclude a riveting Fall '94 version.|
|2022-05-31||Set Your Soul Free||Charleston, SC||22:01||A jam much more in line with the start of Set 2 than Set 1, boasting some warm and lovely electric piano work from Page, a really nifty minor-key exploration at Trey's urging, and a magnificent double-time finale.|
|2022-05-31||WotC||Charleston, SC||15:10||A refreshing jam (and set placement) in this first version since '04 to significantly deviate from the typical format. Extra effects use loosens things up early as it dips into a short-lived, but moody darker segment, and then the jam brightens considerably at 10:00 with Trey and Page pairing up nicely for dual leads, before finally working its way back to "WoTC" to conclude.|
|2022-05-31||Light||Charleston, SC||17:36||> from "2001." The band feels connected and that connection is on display throughout this great jam. They work effortlessly as one organism as the feel and the tempo of the jam changes. > into "Mountains in the Mist."|
|2022-05-31||46 Days||Charleston, SC||8:31||Another deceptive offering from Spring '22 provides about four minutes of type 2 exploration in the opening slot of the encore. While not accompanied by a massive peak, fluid and enjoyable jamming from all four members will have you bopping your head with a smile on your face.|
|2022-05-31||Tube||Charleston, SC||9:54||A dense mind-scrambler of synths, impactful bass, and multi-toned guitar (including the "bullfrog"), then becomes even more frazzled before the final break. The most substantial "Tube" jam in the encore to date, and just about as good of a jam in any encore period.|
|2022-06-01||BDTNL||Charleston, SC||7:23||Great versions produce different points to view. Be it 7/8/14's summertime "Line"d up shimmery shake; Pitt 17's huge, crazed sustain; or 10/20/21's incendiary take; this here jam features what the best "BDNTLS" have in common: Fire Trey. Largely straightforward guitar whose inspired improvisation, offset by impassioned Fish, is the best of its type, carrying you not so much backwards, as away.|
|2022-06-01||Simple||Charleston, SC||23:09||Multi-faceted shapeshifter cruises through an array of styles ranging from heavenly bliss to industrial funk, eventually ascending to a sizable peak and then briefly returns to "Simple" to close.|
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