Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Right. Or, conversely, there are some great shows that, while great, are redundant.
Like Nichobert, who seems to really dig some of the summer shows (like Dallas); or those clamoring for a bit more Europe; it seems as through a bit more variety would be welcome, and not out of place.
Rochester, which, the other day, gets a nice review, jumps out because it was so punishing.
And sure the Colorado Ghost is great, but, at the time (which should be taken into account) it sort of rolls along with the month, as opposed to Lakewood, which, walking out of Lakewood, has you going: Woah. Even the YEM from that show surprised.
You guys did a great job, and it was fun to check in every day: But something other than a December or November - and this has nothing to do with being "safe" - would have been just treatment of a justifiably memorable year.