Winter Europe got properly rated IMO.. 3/1 deserved to make the list but not super high up, and Amsterdam never really felt wonderful to me outside of the short gorgeous jam before Taste and the way Taste morphs back into the DWD ending, 45 seconds of music that seems to have been the Eurkea! moment that formed the basis of what the Disco Biscuits started doing from 98 forwards, basically "How about instead of bringing the jam down and then segueing we make the transition right at the crescendo and simultaneously deliver the synergistic double ecstatic whammy of the jams crescendo and the recognition of the next song?"