Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Still, best of 3.0's competition, when it comes down to little thematic movements like this is just insanely stiff.
Something like 5 minutes into the Dicks Piper that nobody talks about. Or the Steep jam from SPAC. The DJ Shadow jam from the Gorge Rock & Roll.
I've listened to Fall 95 & Summer 97's jams in sequential order over the last month or so, and I have no problem whatsoever saying that the actual improvisation right now is as strong or stronger than ever. So patient yet so restless. Constantly loping through different dimensions of space & time, smelling the roses all the while.