Soundcheck: Round Room, Saw It Again [Unconfirmed and Possibly Incomplete]
Sample in a Jar, Party Time, Simple > Axilla, Tube, Kill Devil Falls, Water in the Sky > Horn, Babylon Baby, Bathtub Gin > Stealing Time From the Faulty Plan, I Didn't Know > Run Like an Antelope
Back on the Train > Rift, Split Open and Melt > The Mango Song > Backwards Down the Number Line, Limb By Limb, Shine a Light, Lengthwise -> Maze, Cavern > Fire
Mexican Cousin > Slave to the Traffic Light
Carl "Geerz" Gerhard sat in on trumpet for Party Time. Trey introduced Gerhard as having come to the School of Phish in 1991 and talked about Gerhard's teaching career in the Armed Services. Trey acknowledged the crowd's request by playing Tube. During I Didn't Know, Trey said that they took Fish on the road in 1983 and he went to the Phish School of Music, adding that he was now the executive officer of the "Air Force." Trey said he didn't think Fish should be representing the vacuum cleaners without tucking in his shirt (a.k.a. his dress) and asked him to do so (Fish complied). Antelope included alternate lyrics "Been you to tuck in your dress, man?" "Tuck, tuck, tuck, tuck" and "Tuck in your dress man, you're out of control!" Trey also said that for 30 years, Fish has been leaving his dress untucked and told everybody to tuck in their dresses. Mike, Trey, and Page tucked in their shirts before the setbreak bow. Split Open and Melt included the alternate lyrics "Split open and tuck." Backwards Down the Number Line contained a DEG tease from Trey. Lengthwise included an invitation for audience members to appear on stage and tuck (a few fans came on stage), contained alternate lyrics "When you're there, I sleep tuckwise, and when you're tucked, I sleep, you really have to tuck" and "I sleep diagonal in my tuck," and Trey wielding a light saber, saying "the force is weak with that one. And that one too. But the force is strong with that one." The audience was subsequently called out by Fish, Trey, and Page, in part being told repeatedly "You suck at tucking" over the Maze intro. The Maze intro also featured Trey asking Chris Kuroda to turn off the lights while he waved the light saber around, talked like Darth Vader, saying "I am your father, Fish. I am your father," and played the guitar with his light saber. Fire contained more Tuck references, with Trey saying "Tuck it!" and the alternate lyrics "Let the Tucker take over!" Mike and Trey sported sombreros for Mexican Cousin.
Review by Fondue
Or maybe had to webcast. Or maybe neither. I’m glad I was able to get some time off work and catch the AC run and the shows here in Virginia. 7 shows in, this year really feels… different. In a very good way.
On paper, this one looks like someone left a Phish playlist on random and this is what came up. But at the show, in the venue, with a packed, happy and considerably smaller crowd than any of the AC shows, there was definitely a flow. I don’t know how else to sum it up than tonight was an odd, funny night. I can’t remember seeing the guys smiling, laughing and just goofing around as much as tonight.
Carl Gerhard guested in Party Time, an efficient Simple and smooth Axilla later, we were done with anything normal-ish. Trey and Page were trying to figure out what a group of people in the front were calling for. They thought it sounded like Tube, so that’s what they played. Faster than the recent AC version, this one also opened up a bit with some tasty extended Page riffage. Speaking of, it seemed like he went particularly nutty on the intro to Gin, an overall energetic version that got the crowd cooking. STFTFP took a little of that energy away from the gang I was standing around, but then came I Didn’t Know, and our theme for the rest of the evening.
Listening in you wont have the head scratching pleasure of watching Fishman tuck his dress into his boxer briefs. He encouraged anyone willing to also tuck in to come up. So you also won’t see the jackbag that got up on stage in a Fish dress only to reveal to us that he didn’t have anything on underneath to tuck it into. It was like a scene from Oz that wound up at a Phish show. Trey cracked up then thoroughly scolded the crowd for being so bad at tucking, and we were off into Antelope.
I don’t know what was up with the Antelope in AC, I haven’t listened back yet, but it just didn’t really crank me up like that tune usually does. Tonight’s did. It felt like a make-good Antelope, and Trey replaced all ‘runs’ with ‘tucks,’ which had he and Page smiling and laughing. Pretty much everyone around me was laughing right along with them, and dancing their asses off.
Set 2 just carried on the odd. SOAM had another tuck tucked in, and it threatened to get all dank and gooey at the end, but Trey pulled them back and into Mango. I chased that song forever in the 90s, they just didn’t ever bust it out at any of the dozens and dozens and dozens of shows I hit. This is my third one since the return, and it’s always so… sloppy. They pulled it together after the last chorus, only to follow it up with a big sigh in choosing Number Line. Limb x2 made up for it, followed by a great Stones cover, and then we found ourselves in Lengthwise. I didn’t see how it got up there, but the next thing we all know, Trey’s swinging this lightsaber around like a 12 year old. It was just awesome. He even asked CK5 to drop the lights so he could fool around with it in the dark while Fish prattled on. We can’t see anything, but it looked like Trey was playing his guitar with the lightsaber, the lights come up, and he is. We’re into Maze. Once Trey dropped the saber, he couldn’t really lock into the composed beginning with the rest of the band. Didn’t matter. When they got to his solos, he SHREDDED. Early 90s machine-gun Trey, only with more style. And that was the playing that he took into Cavern and Fire, which couldn’t be a more aptly named tune for the way they blazed through it.
They came out for the encore in ridiculously over-sized sombreros. I guess it should have been obvious given how wacky the rest of the night was, but nobody around me thought we'd hear Mexican Cousin. That goofy-ass song is fun. But a guy right behind me was borderline pissed at how jokey this was for an encore. As if responding, they went into Slave. Once again, for me, it felt like a make-good from AC’s ragged but still pretty decent version. This one was a beautiful, flawless, polished gem that I wish coulda gone on for another 10 minutes. I turned to the dude behind me and said, “better now?” He smiled back and shrugged. Which I guess is what lots of people might do at this night.
What an awesome, odd summer. From the dark, dank, creepy Carini on opening night to the guys who turned themselves back into 13 yr olds tonight. The only thing that’s consistently the same with this band is that it never is. I’m still surprised at the lack of the really composed tunes, I thought we’d get a YEM/Sky/Guyute or some such, but it just wouldn’t have fit the mood if we did. Tonight was far from the most emotional, or face-melting or intense or insane show I’ve attended, but I dunno. There aren’t many I’d trade the experience for. Fun! Tomorrow's my last 'til SPAC. I can't wait.
...Oh, get this show. Maybe an aud, 'cause people were really laughing along with the band and feeding the mood. Besides, it’s probably not like many others in your stash.