|1995-06-13||Foam||Maryland Heights, MO||10:03||Some great plucking and strumming by Trey. The band is so tight and locked on in this version.|
|1995-06-13||Reba||Maryland Heights, MO||13:59||Really cool and experimental playing from the jump. Trey scratches his way into the jam and synchs up with Mike to exchange a cool set of complimentary notes. This builds into a series of measured, effects-enhanced chords, and great full-band play, featuring quiet, contemplative exploration, and marked rhythmic shifts. Trey's soloing dazzles, as the band works to a characteristically strong peak.|
|1997-08-06||Runaway Jim||Maryland Heights, MO||15:43||Jam settles around 6:50 into some glorious melodic space, rebuilds around 10:00 with some nice blues licks, settles again, then morphs into a serious blues jam with a -> to "My Soul."|
|1997-08-06||Antelope||Maryland Heights, MO||15:51||Not way out there but has several sections that stretch beyond the typical structure, including a great "Makisupa" jam in the "Rocco" section with Page on theremin and Mike on a mini-drum.|
|1998-07-29||Gin||Maryland Heights, MO||23:15||Superb, legendary "Gin." An inspired, melodic "Type I" jam mutates into a thrilling, pulsing, tension-filled electro-rock groove. Many fans rank this "Gin" at, or very near the very top of all Phish jams of all time. Enough said.|
|1998-07-29||Buried Alive||Maryland Heights, MO||13:56||Unlikely jam vehicle opens Set II. The jam breaks beyond the standard into swirling and rocking playing, before settling into ambient space with periodic "Buried Alive" licks.|
|1998-07-29||Tube||Maryland Heights, MO||10:00||Excellent jam combining funk and ambience, making this version a good representation of the band's sound at this time. > to "Kung".|
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